Tuesday, October 22, 2013

From Chicago

 

 

STAN HARRIS and Hugh Rowlands

 
(both heard on Arnold Grimm's Daughter) are planning to fly to the West Coast and Mexico this summer in a new plane Rowlands plans to buy.  Both boys are pilots.

 -Movie Radio Guide, April 20, 1940


Arnold Grimm's Daughter was a radio soap opera broadcast fifteen minutes weekdays from 1937-1942.  Stacy Harris played the part of Arthur Hall.  Hugh Rowlands played Bud.

To begin my life somewhat in the midst of my life, I record that I was born...

 

July 26, 1916 in Seattle, Washington

 
 

 

 


"Washington, King County Delayed Births, 1941-1942," index and images, FamilySearch (https://familysearch.org/pal:/MM9.1.1/VRM7-K53 : accessed 23 Oct 2013), Stanley David Harris, 1916.

Friday, October 18, 2013

Harris Plans Orleans Film

Ex-TV Star Here Slates Exploitation Movie


BY JILL JACKSON
 
HOLLYWOOD –After at least ten tries Stacy Harris and I finally set a date to spend a nice, long, leisurely evening to catch up on the last six years.

It’s been that long since Stacy lived in New Orleans for almost two years while he was portraying Lt. Victor Beaujac in the locally produced TV series, N.O.P.D.
The evening arrived, and so did Stacy, looking great, but a bit perturbed because he had just had a call from the studio to report early the next morning for a scene in a show he was filming, which meant learning his lines that night and arising at the crack of dawn.

The evening would have to be much shorter and more hurried than we had planned, but we did have time to chat in a charming little Chinese restaurant over lobster Cantonese, fried rice and sweet and pungent chicken, which Stacy ordered in Chinese.

Then we went to his beautiful hilltop home for coffee, so I could see it.  The house is built on three levels to conform to the hilly terrain.  The living room is large and graceful with a fireplace, comfortable chairs, treasures brought from Europe, piped music, and all the other accoutrements to make a man comfortable.

The study is his favorite room.  Here at a table he learns his “words,” as he calls his lines, and with a short turn of his head, through a large picture window, he can see all of Los Angeles below.

LINED WITH BOOKS
The walls are lined with books, bric-a-brac and boat models.  Sailing is Stacy’s hobby and he’s always out on the ocean at the tiller, time permitting.

Time, however, doesn’t permit too often as he is one of Hollywood’s most “in demand” actors.   He works constantly which is [text missing] limited roles and thousands of actors.
Stacy usually plays the “heavy” and can be counted upon either to get killed, beaten up, or brought to justice.  Recently he has been in The Untouchables, Wanted: Dead or Alive, and is very proud to say that in Wyatt Earp he played a nice guy.

Stacy’s latest plans are to make an exploitation movie in New Orleans.  The title, at this writing, is This Gam for Hire.  He will produce, assist with the writing, and possibly play a part.  In his own words he says, “New Orleans was good to me, I had a love affair with that City.”  He adores it and can’t wait to return.

KNOWS ORLEANS
Stacy Harris probably knows New Orleans better than most Orleanians.  As Lt. Beaujac his screen partner was a real life detective, Capt. Louis Sirgo.  Many was the night, and day too, that Stacy rode with the boys on authentic calls to saturate himself with the feel of the city, and the ways of the police to bring authenticity to his role.

Over coffee, listening to lovely music, we talked over old times, if you can call six years ago old times.  He adored Owen Brennan, and though he lived at the Claiborne Towers, he called the Old Absinthe House and Brennan’s his “offices.”  Stacy said he cannot visualize “our town” without Owen, and Tom Caplinger, Bob Tallant, Papa Celestin, Banjo Annie, and all the other departed characters.

All too soon it was ten p.m.  Stacy had fourteen sides to learn that night, so off we tooted in his T-Bird, down the hill to take me home.  We’re still going to get together to finish the conversation.


-New Orleans Daily Picayune, September 29, 1960
Jill Jackson (1912-2010) was a successful Hollywood-based columnist for many decades.  Originally hailing from New Orleans, she was hired by the Times Picayune to write a celebrity gossip column beginning in 1960.  Her column later expanded to a syndication package of 1500 news outlets.  Tulane University has a nice retrospective of her career here.
Louis Sirgo (1924-1973) costarred with Stacy Harris in N.O.P.D., a television series based in New Orleans.  Patterned after Dragnet, it was a low budget, but fun show.  Thirty-nine episodes were filmed on location in 1954 and it was nationally syndicated beginning in 1956.  Two movies were later compiled from the existing footage, New Orleans After Dark, released in 1958 and Four for the Morgue, in 1962.  He joined the NOPD in 1946 and worked as a homicide detective and later as a police captain before his retirement in 1964.  In 1970, he was reappointed New Orleans Deputy Police Superintendent.  He was gunned down on Jan. 7, 1973, one of nine people killed and ten seriously injured during a horrific rampage by a crazed sniper.  An account of the events can be found here.

Tuesday, October 15, 2013

Meet the G-Man of Radio

 

The Nemesis of Gangsters Has Rich Background




HOLLYWOOD

Stacy Harris, good looking and personable G-Man of the airwaves who heads the cast of This Is Your FBI, embarks upon his adventures nowadays with a script in his hand and a microphone at his lips, but the high excitement in his young life has not always been so synthetic.  Before he settled down to an acting career four years ago he had packed away enough experiences to last him for the rest of his days.

Timber cruiser, deckhand, boxer, radio sportscaster, newspaper artist, ambulance driver in United States wartime field service overseas,  motorcycle courier with the French troops in north Africa, he was a restless rover and, before he came here from New York with the airshow, he had seen the world from many different angles.  Now his is looking at it for the first time as a movie, as well as a radio, actor, having lately entered the films in Postal Inspector, starring Alan Ladd and Phyllis Calvert at Paramount.  Oddly enough, while he is indefatigable in his pursuit of public enemies as one of J. Edgar Hoover’s special agents on This Is Your FBI, he is against the law as a gangster in this picture.

Born in a Quebec lumber settlement, Harris nonetheless calls Seattle, Wash., his hometown, for he began to live there in his early boyhood.  His father, David S. Harris, used to be a trouping actor, but during his school days Stacy has little interest in show business.  He wanted to be a forest ranger and with this end in view, he majored in forestry at the University of Washington, paying part of his tuition and upkeep by working during summer vacations as a lumberjack.

He Went to Sea

FORESTRY, however, last an eager recruit when this undergrad, who was active in athletics, began to broadcast sports events on a Seattle station.  Soon he was newscasting as well.  After switching to another station as an announcer, he fell out with the boss and was fired.  Thereupon he shipped as a seaman on an oil tanker bound for Alaska and the Orient.

“That,” he says, “was a rough experience.”

Back home again after a long voyage, he tried briefly to be an artist of sorts on the Seattle Post-Intelligencer, then went to sea again, steaming out to Asiatic ports for a second time.

“I hated it,” he said, “but I was out of a job and had to have one.”

His return from the Far East found him in San Francisco, where, he reports, “I had my brains kicked out” boxing for $25 a night across the bay in Oakland.  Previous experience as a lightweight in Golden Gloves matches while he was in college fortified him with sufficient courage to take on this job.

A Modest Man

A LITTLE of this, however, was more than enough, so Harris drifted south to Hollywood, and for the first time got into radio as an actor, working for $10 a performance.  But the roles were few and he got hungrier and hungrier. Then, discouraged about his prospects here, he decided to become a pilot in the United States Army Air Force and was sent to Randolph Field, Texas, for training.  He did not stay there long.

“I was healthy enough and young enough,” he said, “but not smart enough.”

Further job hunting, first in New York, then in New Orleans, led nowhere, so more or less in desperation the young man turned again to the sea as a deckhand on a vessel sailing for England.  There, he says, he “skipped ship” and “bummed around the Continent.”

Upon Harris’ return to these shores, New York, New Orleans and Chicago were all on his zigzag course from job to job, and the work he did in these cities included more illustrating for a newspaper (“I was the kind of artist,” he explained, “who draws the dotted lines and cross that marks the spot where the body lay”); acting again in radio and playing a part in a Broadway show.  While in Chicago in 1940 he married.  Not long afterward he and his wife split up, and he “ran away to Canada,” he says, “to make her sorry.”

There he wanted to join the Canadian Air Force but found he couldn’t because of a United States law, whereupon he enlisted in the United States field service and was sent to the Middle East as an ambulance driver.  Later he served through the British push westward from El Alamein across North Africa, then transferred to the Free French as a motorcycle courier.  Wounded near the end of the war, he was invalided home and discharged from service early in 1945.

In New York, radio now attracted him once more.  This time he made his acting pay, doing many roles on various shows, including Gangbusters, March of Time, and others.  When This Is Your FBI was started in April 1945, he got into it through the producer, Jerry Devine, for whom he had appeared previously on Army broadcasts.  It was not until about 18 months later, however that the role of Special Agent Jim Taylor came into the scripts.

Milwaukee Journal Aug. 21, 1949

This is the article that provided the inspiration for this blog.  Dragnet fans will note the part in bold about wanting to become a forest ranger.  Of course, if all the events outlined in the article didn’t happen exactly as they were written, well, then, they should have.

Sunday, October 13, 2013

‘Like Father, Like Son,’ Rules in Harris Family


David Harris (left), veteran Seattle Repertory Playhouse actor, “didn’t think much of the idea” when his son, Stanley (right) said he was going to be an actor.  Fathers always say that, but they’re pretty proud when their sons select fathers’ professions.  Anyway, Stanley has made good in Repertory Playhouse, try-outs, and here he is in getting a lesson in grease-paints from father.

 
When Stanley Harris, 16-year-old Roosevelt High School student, heard the Seattle Repertory Playhouse was casting boys in its next production he determined to try out.  But his father, David Harris, a member of the Playhouse group of actors for nearly six years, said “No!”
It was a fairly formidable “No!”
"There are enough actors in the Harris family already,” he told his son.  “I’m just doing what almost any other father would do – tell his son to keep out of the profession or business that the parent is in.”
That didn’t daunt young Harris, however.  He appeared at the Playhouse, tried out and was given a role in Little Ol’ Boy, which opens on the Playhouse stage next Thursday.  The Repertory Players said that Stanley Harris would make an excellent actor.
Little Ol’ Boy is a play built around events at a reform school and most of the players are youngsters. 
The elder Harris originally had a role in the play, but changes made dropped him from the cast.  He discovered his son’s entrance into the drama world, however.
“Well, I guess if he’s bound to try it there is nothing I can do about it.  All I can say is that I warned him,” Harris commented.
But the Repertory Players believe the father is pleased secretly, and that he will be among the heartiest applauders when the curtain rings down after the first performance of Little Ol’ Boy.
-Seattle Daily Times November 11, 1934